The Coyote, The Algorithm, and the Myth of Rented Land

image of a coyote in Los Angeles starring into the camara of Donald "C-Note" Hooker, the world's most prolific prison artist.
Coyote in urban L.A. Photo by Donald “C-Note” Hooker

Why building on Big Tech’s borrowed digital soil leaves creators starvingβ€”and why true survival demands owned infrastructure.

By Donald “C-Note” Hooker

Earlier today, I watched a coyote stop mid-stride right at the jagged seam where raw wilderness collides with expanding concrete. Lean, watchful, ribs braced against the elements, its eyes scanned the perimeter with unwavering situational awareness. It did not beg the landscape for permission to exist; it adapted, navigated the margins of transition, and survived.

I pulled out my phone and captured a 38-second video of that encounter.

The Illusion of Free Reach

Survival is not some sterile corporate buzzword I picked up in a boardroom. I spent over three decades fighting a wrongful conviction inside California’s maximum-security prisons. Confined to a cell, I had no luxury of stable ground. I had to engineer an international media footprint, pull in over seven million website visitors, run paid media across major ad networks, and build a 250,000-follower reach using tactical discipline and mobile technology behind concrete walls. Just two days after my release in August 2026, when Meta invited me into a live professional training session on data-driven decision-making, it wasn’t because I followed popular trendsβ€”it was because I master systems under impossible constraints.

Seeing that coyote navigate hostile terrain, I saw an urgent case study in strategic instinct. I wrote an incisive breakdown examining adaptability, resilience, and navigating unpredictable landscapes, and I posted that 38-second clip directly to LinkedIn.

The platform’s response? The corporate algorithm wiped the post out without warning, explanation, or recourse.

A sharp, professional analysis on operational adaptabilityβ€”vaporized into digital ether.

Digital Sharecropping on Borrowed Land

There lies the bitter, laughable irony. The industry preaches endlessly about “reach,” convincing artists and entrepreneurs to dance for algorithms on rented land. They spend hours polishing content for LinkedIn, feeding Instagram’s beast, and chasing TikTok trends, blind to the reality that they are digital sharecroppers whose harvest can be bulldozed overnight on an automated whim.

When I founded Artist Social Network, I built it on an uncompromising reality: Artist Social Network is a digital publisher of the Arts; focusing on the marketing and promotional needs of the independent artist. We believe, in order for an artist to have a successful career in their craft, they must think like, and act like, a small business.

A legitimate business never surrenders its pipeline to an unaccountable landlord.

Sovereignty Over the Algorithm

Years ago, fed up with restrictive site builders and commercial hosting providers, I purchased a Plesk subscription to command my own server. I built and maintained over two dozen WordPress websites, ensuring 99.9%+ uptime, impenetrable security, and direct audience channels that no Silicon Valley censor could turn off with a line of code.

If you don’t own the server your work sits on, you don’t have an enterpriseβ€”you have a rented billboard. If you don’t capture the direct email addresses of the people who value your work, you don’t have an audienceβ€”you have a crowd held hostage by a middleman charging you admission just to speak to them.

Common wisdom tells you to stay logged on, please the algorithm, and trust the feed. It is garbage advice.

Treat social platforms like that coyote treats an urban highway: a dangerous corridor to cross while seizing resources, never a permanent home. Siphon their traffic and drive it directly to owned groundβ€”your server, your domain, your email list. Stop begging Silicon Valley for permission to exist, and start running your craft like the business it was meant to be.

About the Author

Donald “C-Note” Hooker is a Wikipedia-profiled fine artist, author, brand strategist, and digital media entrepreneur. Recognized as one of the world’s most prolific carceral artistsβ€”with works exhibited from Silicon Valley public billboard installations to Berlinβ€”Hooker built an expansive, multi-brand digital media conglomerate from inside California maximum-security prisons while serving over 30 years under a wrongful conviction. Directing operations via mobile technology under extreme institutional constraints, he amassed over 7 million website visitors, commanded a 250,000+ follower reach, maintained corporate international syndication, and authored more than 1,000 published articles alongside pioneering early generative AI publications. He is the founder and lead strategist behind Artist Social Network and its broader network of owned digital properties, deploying independent server infrastructure and high-level marketing strategy to teach independent artists and businesses how to achieve absolute digital ownership.

Art Basel and Beyond – YouTube

This video short by Josh Kasper, the founder of “Art Basel and Beyond”Β  provides insight to the opportunities he provides visual artists to be seen and heard beyond the reach of their studio.

To learn more about Art Basel and Beyond, check out:

Art Basel and Beyond a New Tool for Visual Artist Self-promoting | The Artist Social Network Daily

https://news.artistsocial.network/story/art-basel-and-beyond-a-new-tool-for-visual-artist-self-promoting-BmiyZYtXeULgXJCKxNU6o

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Why Investing Time or Money on Social Media Platforms is Bad for Creators

No matter the type of Creator, investing time and money into social media platforms is fool’s gold, as they own the audience you built. 

By default, I no longer have access to my Facebook Pages, as I refuse to comply with Facebook’s 2-factor login requirements they have imposed on me.

Two-factor authentication (2FA), is a method of establishing access to an online account or computer system that requires the user to provide two different types of information. With two-factor authentication, you’ll need to provide both a password and prove your identity some other way to gain access.

What did I do to have Facebook tell me I must do two-factor authentication in order to post on my Business Pages? I am being penalized for having too much organic reach. I have over 300,000 followers on six Business Pages. My brand The Street Poetz is the largest US based publisher of independent Hip-hop news on Facebook.

In 2021, Facebook forced my brother, who is our Facebook Ads account manager to do two Factor login in order to have access to our Facebook Ads account, and he complied. But just in case some funny business happened with his mobile phone or mobile phone number, he opened a Skype account and gave that as his two-factor login phone number. The beautiful thing about a Skype account is that it is web-based, therefore can be accessed anywhere, whether you have your cellphone or not. 

A Web based phone number, also known as a VoIP (Voice over Internet Protocol) is the number assigned through a VoIP service. Either through an app or the Internet, you enter the number on a dial pad, and functions just like a landline or mobile phone. Google Voice is a VoIP service.

Later, my brother would discover Facebook doesn’t accept web-based phone numbers for two-factor authentication. By then it was too late, and has been locked out of Facebook since April of 2021.

When Facebook came up with this crap in 2022 for me to give two-factor authentication to login into Facebook, I refused. Facebook even suggested it was planning in the future to make me jump through more hoops after complying with their 2-factor login requirement.

My Facebook story is why any digital marketer would tell you, “You must have your own website and email list,” see “It’s the #1 Reason to Own a Website.”

My brother and I paid Facebook thousands of dollars through Facebook ads to build up our page followers only to have the social media platform to reduce reach to 1%. When a recent post reached nearly a half a million organic Facebook users, which was a 200% increase of page followers, I was suddenly being treated just like those who pay Facebook for reach. 

According to Benjamin Peterson, a Certified Facebook Marketer for Brainspin:

“Facebook has made algorithm changes that reduced organic reach drastically. The changes are implemented so that anything that doesn’t interact with your page on a frequent basis will very rarely see your posts, unless they go directly to your page. What this all sums up to is that Facebook wants you to pay for advertising on their platform, by crippling your organic reach.”

The other day, Contemporary artist Rafi Perez and Jewelry designer Chloe Anjali posted, “Why I Don’t Rely On Social Media For My Art Business,” on the YouTube channel Rafi Was Here Studios. It inspired me to write this Artist Social Network post, and to post their video below.

Conclusion 

It’s fool’s gold to build a customer or fan base on these social media platforms. The graveyard of social media platforms, or the zombie-ing of features on these social media platforms are too numerous to cite. It is why investing time or money on social media platforms is bad for any small business entrepreneur, whose product or service is in the field of creativity. 

If you have had any social media platform horror or success stories, Artist Social Network and our followers would love to hear them. Just drop us a comment below, thank you.

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It’s the #1 Reason to Own a Website

Social media’s Whimsical decommissioning of features on their platforms is the number one reason to start your own website.

On August 21st, 2021, Linkedin Marketing Solutions published on LinkedIn they are decommissioning Stories. A comment by user Anita Wong says it all:

Always difficult to play catch up when you’re copying someone else, creating a unique video experience that’s unique to LinkedIn sounds far better!

All Legacy social media platforms should be ashamed of themselves for becoming too cumbersome and bureaucratic.

The Origins of Stories

In 2012, Facebook bought a photo-sharing startup called Instagram. At the time there were only 13 employees, so a one billion buyout seemed like an act of irrational exuberance.

In 2013, a 2011 startup called Snapchat created Stories. In 2016 Instagram created a Snapchat version of Stories on its platform. In 2017, YouTube created Stories on their platform. Have you ever seen one or created one? In 2020, LinkedIn and Pinterest created Stories on their platforms.

For Pinterest, Stories make sense. They are a direct rival to Instagram. But it’s not about stealing, or in the water down version “borrow your competitors ideals.” These companies prevent fresh ideas from coming to the floor, and in the case of Facebook, NBC news has reported on a lawsuit involving app developers alleging an anticompetitive scheme.

The legend of Steve Jobs is that he returned to Apple with a disgruntled workforce complaining about Microsoft. He immediately shut that shyt down. In the return of Steve Jobs at the helm of Apple, Microsoft would no longer be seen as a rival. In fact, he had no rivals nor competitors and brought us fresh ideas. That culture still exists today as Tim Cook is constantly reminding lawmakers and the General Public that “eating off your data and you don’t get too, is not our business model.”

I don’t use many social media platforms, but the ones I do use are constantly commissioning and decommissioning features. For me, it was Facebook Business Pages. Having played by the rules and not bought bots, I was able to grow a couple of pages to over a hundred thousand followers. But how did that effort benefit me today? It doesn’t. Facebook drastically has reduced the amount of followers who are exposed to one’s Facebook Business Page post. It is from that experience, my heart bleeds for the content creators who created Stories on LinkedIn.

Artist Social Network is a digital publisher of the Arts; focusing on the marketing and promotional needs of the independent artist. We believe, in order for an artist to have a successful career in their craft, they must think like, and act like, a small business.

Don’t miss out on more tips and tricks to Artist Marketing, visit The Artist Social Network Daily by clicking the link below.
The Artist Social Network Daily
(The News Daily to Artist Self Promoting)
http://news.artistsocial.network/#/